Wednesday, August 22, 2012

Waiting to Die--A Short Story of the Coming Pandemic

 
 
Synopsis
 
Since the 1918-1919 influenza that killed over 50 million people, humankind has feared return of the pandemic, an extraordinarily mutated virus. It’s here. As before, with the Spanish Flu, mostly healthy young adults are dying, so many that hospitals can no longer provide for them. Derek Whitfield, 25-year Army vet, has volunteered for end-of-life hospice care. He sees nothing but darkness waiting on The Other Side, until he meets Susannah Brite, his forty-second client.

Excerpt


****

Susannah Brite would be his forty-second client.  He had requested only young men, and—until then—had gotten only young men.  He had thought they would be easier.  They weren’t.  Some went out like men of honor: Stoic and at attention.  Most went out not quite like that.  Some even went out crying.  Dying was dying, and nobody actually knew what waited on The Other Side, if anything.  Derek was pretty sure nothing but blackness waited, but of course he never suggested that to anyone.  “Just hold their hand,” he was also told, “Kiss their forehead, or their cheek, if you want, if you think they want,” and, most importantly, “Have a soothing voice.”

            That all had seemed easy enough.  He hoped this woman would be that easy, and just one more number to him.
 
A second excerpt
 
            He took three steps to her bedside.  Her eyes opened.  Her mouth opened, slightly.  She licked her lips, once on the upper lip, once on the lower, but no words came.  Her eyes closed again.  “Susannah, I’m Derek.”  He waited, “I’m here to spend some time with you…, if you would like that….”
            Her eyes opened again.  Her left hand raised, slightly, “Yes, I would,” she said.  Derek barely heard but he knew what she had said.  They all said the same thing, and he always said the same thing.  He put his left hand under her left hand, and felt her grip him with a strength that surprised him.  The strength though, was short-lived, but the grip itself remained.  Without even thinking about it, he lifted her hand and leaned down, and pressed her hand against his cheek.
            For a few seconds she gripped his hand tighter again, “Thank you, Derek,” and again closed her eyes.
            Barely above a whisper but he heard and understood.  He then lowered her hand and placed his other hand, too, over hers.  And there he stood, feeling the insides of his eyes getting a bit wet—that, had never happened before!—and what strength she still had gripping his hand.  And he felt embarrassed, and a little angry, Why, God?  Why are you taking this beautiful young woman, and all the others?  Does Heaven have a shortage of young people, or something?  Why, God?—for Christ’s sake!  Why?
            Then he felt surprised for talking to God.  If he truly believed everything only turned black after death, why on earth would he talk to God, who he, evidently, didn’t even believe in?
****
Thanks for reading!
Contact


nelsonjamesw@hotmail.com                         email

http://www.amazon.com/-/e/B004GW465S   Author page at Amazon

http://morningshinestories.com                      Website

http://morninginapril.blogspot.com                 Blog

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This short story will be available for free for two days--Yes! Two days, beginning at midnight, August 23, 2012. Regularly $0.99 for digital. As yet no paperback available, but considering a line of single short story books for a reasonable price...?
 

Saturday, August 18, 2012

Winter in July Contemporary Nuclear war Drama


What follows is the introduction and four excerpts from the novel, Winter in July, then a review from Kurt Stallings, Fort Worth, Texas, the contents list, and contact information.

Introduction

The world is still a dangerous place. Russia and China both have Intercontinental Ballistic Missiles still aimed at the United States, and likely most other nations of the free western world. India and Pakistan have nuclear weapons, although, presently at least, we think, just aimed at each other. North Korea has nuclear weapons, but we don’t know, exactly, what they have. Iran badly wants nuclear weapons, no matter what their leaders are saying. And who knows how many other nations have nuclear weapons and/or the capability of acquiring them very quickly. Oh, yes, and terrorists: How many suitcases can a terrorist carry? Or a dozen? Or a hundred? A nuclear winter is still somewhat in the realm of theory; that is, we don’t know what would happen during and after even a small nuclear exchange. And that’s the key: We don’t know.

This novel, WINTER IN JULY, is fiction. It is not meant as a call to arms by the doves of the world, nor as a call to quarters for the hawks. It is meant simply as a good read, and a reminder to the millions of moderate individuals out there of what is possible.


All that is necessary for the triumph of evil is that good men do nothing.

Edmund Burke
Irish orator, philosopher, & politician (1729 - 1797)



Kirby Yates, 40, has a good job groundskeeping at the new underground Energy House Museum at Hammett’s Mill, North Dakota, population 240. Kirby suspects it’s a bomb shelter.  He’s nearly obsessed with that suspicion. When his mother cleaned out his late uncle’s house, then ten-year-old Kirby stumbled onto a collection of nuclear war literature. He didn’t understand what he had but began reading and had many nightmares, but he couldn’t stop reading. He couldn’t repress his new found fascination, which followed him into adulthood. So, yes, the U.S. government is building secret bomb shelters by small towns, the idea being to save entire populations.
After his suspicions are confirmed ex-army Kirby gets a second job (defense of the bomb shelter).  But he’s unsure of his feelings (hawk or dove?) so he attends a peace meeting, where he meets Lisa, one of the group’s leaders. She leads a protest at a missile silo, involves Kirby, becomes his lover, and becomes curator of the new underground museum/bomb shelter, but isn’t told of its insidious true purpose. Conflict of interest would cost her new job.
Excerpt from Chapter 2 Denial





By nearly closing Kirby had stomached all the rum he could and then some, yet remained sober.  His sixth drink was half full.  He took a sip and ordered another.  And still he wanted someone to admit the truth of the construction site.  “Say, Elmer, you work out on the edge’a town, too.”  For a second the rum hit kind of hard.  He felt dizzy
Vanders faced him, “Yeah, so?”
            The dizziness passed.  It always did, “What’re they buildin’ out there?”
            Vanders took a deep breath, smoothed his handlebar moustache, then faced away, “It’s called an energy house, Kirby.  Sort’a like a museum.  A demo site.  You know that.”
            “I know that’s what we’re told, yeah.”
            Vanders kept facing away, hunched his shoulders, “Why question it?  It’s a job.  Something we both need.”
            “But don’t you ever wonder?”
            “Nope.”  Vanders appeared to have sobered, slightly, “Never.”
            “Nobody’ll talk about what’s goin’ on out there, Elmer.  Why is that?”
             “Cause nuthin’s goin’ on.”  Vanders faced him, appeared to have sobered even more, “I get paid workin’ there, Kirby, and that’s all I care.  If somethin’ else’s goin’ on, fine.  But I don’t need to know about it.  And I really don’t care.”
            “I know what’s bein’ built, Elmer.”
            “You don’t know shit.”
            Kirby had not actually spoken the words before.  Sometimes he had trouble even thinking them, and said, not quite whispering, “It’s a bomb shelter.” 
            The jukebox music stopped.  By chance the song had finished, but abruptly.  So did the television.  Kirby jerked toward it.  Evidently a short pause.  The silence throughout the place roared through his ears.
             He stared at Vanders, who—eyes bulging—stared back and then looked away.  Kirby glanced around the room.  Colleen sat absorbed on her TV viewing perch.
 Linden, Bradding, Smith, everyone in the tavern just sat, not talking but not indicating they had heard, either.
            Kirby licked at his sharp wisdom tooth nubs furiously.  His armpits ran again.  Then a new song began on the jukebox.  The television came back on.  Conversations from several directions drifted in.  Things returned to normal, with nobody but him knowing they had been kind of abnormal for maybe three seconds.  A point in time when everything had simply stopped.
            He took a breath, then faced the front of the bar, like everyone else, and belted the rest of his drink, “How’s the family, Elmer?”
 
            Vanders answered without facing him, “Family’s fine.”
            The evening passed back into the norm, and the complacent acceptance of what was being built outside of town.

Excerpts from Chapter 9 The Protest

Kirby watched for a few seconds then returned his attention to the woman before him, "We're probably more alike than you think, Ms. Graham."
            "I doubt we're anything alike, Mr. Yates."
            "You remember my name."  He smiled.
            She did not return the smile.
            "What's going to happen?" he asked.
            "At two o'clock we're singing the national anthem."
            "What?"  He couldn't help smiling again, then glanced at his watch, "Well, it's after two."
            "The cameras aren't here yet."  She glanced at the larger pickup, where both young men and young women in uniform were climbing out, all wearing side arms, all carrying M16s.
            "Cameras?"  He felt like grinning, but held it.
            "Channel 11."  She glanced at him.  Her face had lost some of its hardness, "We're making a statement of irony."  For just a second her face might have expressed a feeling of uncertainty, even vulnerability, but then it hardened again, "We’re peacemakers singing a macho song to the war makers."
            He couldn't help a grin.  He didn't mean it offensively.
            "You think this is funny?"
            "No."  He said it quickly, "I'm sorry.  I didn't mean to grin."  Don’t grin.  His feelings from the auditorium swept back, "I just meant that…yes, it will be an irony."
            A quiet cheer from the small crowd took their attention.  Just turning in from the highway, a van.  On its side CHANNEL 11.  The news-van pulled in beside Kirby's pickup.  Voices took their attention back to the larger air force pickup, where about a dozen armed young men and women were moving in single file along the fence from north to south. The one with the leashed German Shepherd remained close to the pickups.  The dog, its black ears still perked, was sitting quietly on its haunches, but definitely continuing to watch the demonstrators.
            Leading the file was the young man with all the stripes.  He stopped, faced the demonstrators from about six feet.  He didn't look any older than twenty-one or twenty-two, but also did not appear nervous.  The remaining security people moved on until evenly spaced, then stopped and faced outward, their rifles held in front of them.
            The holes in their line were large enough to throw a hundred dead cats through.  Kirby got the feeling, almost, that the air force was saying 'I dare you.'
            He switched his attention to the news-van.  A woman with a luscious mane of blonde curls had gotten out from the driver's side, a man bearing a shoulder video camera from the other.  Both appeared to be around thirty, a sober expression on the woman, a malicious-like grin on the man.  No doubt he was there to film things getting out of control.


Second excerpt from Chapter 9 The Protest

The cameraman was way, way beyond the white line.  But maybe the military was assuming the media to be on their side, at least unbiased.
            Another moment passed.
            The song reached its final line, "…and the home…of the…brave…."
            For some dumb reason Kirby expected a rousing cheer.
            Instead, silence.
            The cameraman stood for another second or two, then hoisted the camera from his shoulder, and walked toward his partner by the van.  But there had to be some
sort of climax.
            Mainly, Kirby sensed Ms. Graham leaving his side, then saw Seth hurrying in the same direction, then more movement to his right—he jerked that way—and 'squawking'.  The canvas bags were opened.  Two huge white roosters were removed.  The cameraman was back.  Definitely a malicious grin on his face.
            Then there were the two men with axes, and two swings of those axes, and the two roosters lost their heads.  Seth grabbed one of the roosters by the feet and ran toward the chain-link fence, and, Ms. Graham—Lisa—the other.
            Kirby focused on Lisa.  He could not believe his eyes.  The flapping rooster was big and spewing much blood.  Yet she carried the vibrating, sputtering, bleeding double-handful, across the white line, through the sparse military line, swung the fluttering double-handful back twice, then heave-hoed it over the fence, where the dead rooster, along with Seth's, flopped and bled over an area of about twenty feet square each.
            Silence again, but not for long.
            Two military police each—after handing their weapons to adjacent police— approached both Seth and Lisa.  Again Kirby focused on Lisa as the two airmen, roughly, jerked her hands behind her back.  She struggled, and immediately was thrown to the ground.  Kirby moved.  He didn't think about it at all, just crossed the vague white line, and then looked down the barrel of an M16.
            The person holding the weapon was a woman, blonde hair pinned tight to her head under a dark blue beret, "Please step back behind the line, sir."
            He looked into her steady eyes.  She was following orders.  There would be no reasoning with her, "Please step back, sir, or we'll have to arrest you too."

Excerpt from Chapter 23 Hell

In a full run, Kirby flew past the corner of the building and leveled his gun at whatever was there.  A man, trying to get his trousers down.  A woman beneath him, fighting him, her eyes open but not seeing.  Lisa.

            Sergeant Frank Jansen was trying to rape her.

            Kirby checked his weapon, returned it to single-fire, then moved close, placed the barrel against Jansen's temple, said quietly, "You son-of-a-bitch, get away from her."

            Jansen faced him.  His mouth fell open.  He pulled away, began trying to hitch up his trousers, "I warned you, Yates.  I swear I'll lock you up.  You're threatening an officer of the law with a firearm."

            "You fool."

            "What?"

            "You dumb ass, Jansen.  There's no law left."

            "What…?"

            The man didn't know.  He didn't comprehend what had happened.  But forget him.  Keep your eye on him but forget him.  He touched Lisa, "Get up, my darling, we're leaving."

     "Kirby?"

            "Yes, I'm here.  We're leaving."  He kept his gun pointed in the general direction of Jansen and put his arm around her waist, helped her get to her feet, then spent a few seconds holding her, "Come on, we're leaving."

            "You're just going to leave me here, Yates?"  Jansen spoke matter-of-factly, standing there like a giant adolescent with his arms hanging at his sides.

            Kirby glanced at him but didn't answer.  No answer even came to him for such a question.  Then he felt a tug on his arm by a small, very, small, hand, "Mister?"

            He jerked around.

            A child, a girl, about five years old.  She could see.

            Keeping Jansen in his view, he knelt beside the child, "Honey, who are you?"

            "I'm Sharla."

            "Sharla what?  What's your last name?"

            She said a name but Kirby didn't recognize it, "Is your mom here, Sharla, or your dad?"

            "No.  I don't know where they are."

            "You don't know?  How did you get here?"

            "With my friend.  I can't find her, either."

            Oh, God.  Well, he wouldn't leave her.  He didn't know what he could do, but he wouldn't leave her.  Maybe he could find her parents later, "Lisa, can you hang onto Sharla's hand?"

            "Yes."  But Lisa did more.  She knelt and held out her arms.  Sharla moved into them and Lisa gathered the tiny girl up and stood, then grasped Kirby's arm, "We're ready."

            They were ready.  Out of hundreds, he was choosing to help only two.  He faced the quiet mass of people.  Every blind eye was on them.  Some who had been sitting were getting to their feet.  He felt hopelessly sorry.  His stomach, he didn’t know how his stomach felt, just hollow, completely empty.  But he could not help them.  He faced the sergeant, "So how come you can see, Jansen?"

            "I don't know.  I…I guess I was facing away."

            "Are there others who can see?"

            "Yes."

            "Where are they?"

            "They left.  I don't know where they went."

            Kirby stared at the man.  Right then Jansen appeared pretty harmless.  For just a second or two Kirby considered allowing the ex-officer-of-the-law to join them, and he didn't even know yet where he was going himself, "Why didn't you go with them?"

            "I…."  Jansen's eyes fell on Lisa, just for one split instant.

But long enough to remind Kirby why he wouldn't invite the sergeant to join them, "Don't try to follow us, Jansen."  He pulled Lisa closer, and felt the tiny Sharla between them, "If I see you again I will not hesitate to use this."  He gestured with the M16.



A Review from Kurt Stallings, Amazon Kindle reader

Buy! -- an unusual, introspective take on the apocalyptic / post-apocalyptic tale, May 5, 2012
Amazon Verified Purchase(What's this?)
This review is from: Winter in July (Kindle Edition)
Kirby Yates lives in a part of the country where there are almost as many nuclear missiles as there are people. The small little town he calls home is filled with lonely people making their way through silent lives. They would be mere numbers waiting to be dumped onto a casualty list if it wasn't for the fact that their exact location is just beyond the range of total destruction by any enemy missiles aimed at the American bases a short drive across the prairie. Even so, Yates would be nothing among them in the eyes of planners, but for the fact that he happens to have a combination of basic military experience, a quiet competence for planting and managing landscapes, and a bit more intelligence than most -- common enough throughout the world, but rare in that particular spot. He's chosen to prepare for and participate in any nuclear exchange without being informed of the fact until it's too late to quit, although he is bright enough to realize it before. Ironically, he realizes, he is preparing the stage for the tragedy that has given him nightmares since discovering a secret stash of materials in his grandfather's house. His artist's vision, which he keeps hidden from others, makes his sense of what may be coming only more vivid.

The author achieves something rare, if not indeed unique, with a work of fiction that not only broadens the reach of its particular sub-genre but doubles as a commentary on that sub-genre in itself. Certainly, this is the first of the A/PA novels I've read that explores the reason I am compelled to read so many. The protagonist grew up with the same obsessive sense of impending nuclear doom that vested in so many of us at a certain age, thanks to countless drills at school, those ridiculous films in class, and any number of black-and-white movies on TV. While some reviewers here are put off by Kirby Yates' initial, relative immaturity -- brilliantly and incisively detailed for him halfway through by a woman explaining why they can not be together -- readers more accustomed to novels that aren't purely action-driven will enjoy following his maturation, complete at the end of the book.

I'm not knocking action books, or those who enjoy them, I'm simply making the distinction so you can choose whether you personally might enjoy the book or not. I like action books; I also like this one. This is a book about a man, not a war, albeit a man preparing for the most terrifying of wars; and it's a book about a real man, not a caricature.

I recommend BUY as someone who enjoyed the tension as the subtle shifts in his relationships, always driven by an artist's appreciation for the insanity of nuclear war, was also balanced by an appreciation for the need for "adults" (as Yates puts it in his musings) who deal with insanity as something that is never going away. The struggle to achieve some sort of mature balance within himself as between those two impulses are what drive his decisions throughout the book. The ending is so satisfying because he finds that balance under the most surprising of circumstances -- or perhaps the only situation in which he might have stumbled onto it. In any event, it's his decisive action that wins him his "adulthood," and brings the security he's always sought to himself and those for whom he cares.
Contents

1    PROVIDENCE
2    DENIAL
3    NUCLEAR SANITY
4    THE NIGHTMARE BEGINS
5    THE ENERGY HOUSE
6    SAMUEL HATWELL, ESQUIRE
7    80 ACRES OF PARADISE
8    REFLECTING
9    THE PROTEST
10   DELUSIONS
11   THE APPOINTMENT
       INTERLUDE
12   THE NIGHTMARE CONTINUES
13   BOMB SHELTER
14   NO QUARTER FOR CARRION-HUNTERS, OR SURVIVORS
15   HIS HUMAN NEED
16   ALMOST CRAZY
17   THE BRAWL
18   LISA
19   COLLEEN
20   OPEN HOUSE
21   BIRTHDAY BASH
22   FROM HEAVEN TO HELL
23   HELL
24   HOPE

Download for free starting at midnight 8-19-2012, 24 hours. Normally $0.99, paperback $15.00. A reminder: Amazon has a free APP download that permits reading on any electronic device. No Kindle necessary.

Thanks for reading
Contact
nelsonjamesw@hotmail.com                                  Email
http://www.amazon.com/-/e/B004GW465S            Amazon author page
http://morningshinestories.com                              website
http://morninginapril.blogspot.com                         blog
https://www.facebook.com/#!/                                Facebook







Wednesday, August 15, 2012

Strange and Weird Stories, by James W. Nelson




Strange & Weird Stories (The unknown: As close as beside you)

In these stories stuff just happens.  There is no scientific justification for anything, and there doesn’t need to be.  Look at your own life: Doesn’t stuff just happen, all the time?  Like what happened to my homework?  I know the dog didn’t really eat it. Or where’s the remote? Or how did I get here…and where is here? Who am I? You know what I mean, but, of course, stuff that happens in these stories is a little more serious than a lost remote. The late-nineteen-fifties and early-sixties television series, Rod Serling’s THE TWILIGHT ZONE, in my opinion, was filled with stories of events that just happened.  When that show began I was ten years old.  I would glue myself to the screen, and Rod Serling himself was one of my early heroes, and still is.  According to the 1996 Oxford Dictionary, the “twilight zone” refers to “…any physical or conceptual area that is undefined or intermediate, esp. one that is eerie or unreal.”  So Rod was right on target in naming his series.
            I’m not saying my stories will come up to Rod Serling’s standards; what I am saying is that what he created helped me immensely in what I have created.

Faithless is he that says farewell when the road darkens.
British scholar & fantasy novelist (1892 - 1973)

This is one of the shorter stories (in entirety.) A second one "Food Project" will follow. There are eleven more. Following the second story will be a Contents list, and more information.

     He tensed himself and leaped, up, high, turned his head both ways, landed again, and leaped again.  But, all he could see in any direction were others like himself.
     He landed, brushed one of the others.  Barely enough room for elbows, let alone leaping and hoping for the same spot to be open when he came down.  The other shot a dirty look at him, then turned away and moved farther into the sea of others, all alike except for some facial differences, eye color, height, weight, all anyone could see of the others.
     All wore the same clothing.  Gray suits with hoods, hand openings, trapdoor crotches opening only in back.  They didn't do much of anything, mainly stood around chewing on the gray doughy masses called viands, conversations mostly limited to one word descriptions of the viands varied tastiness.
     Tart, spicy, salty, or bland and lumpy.
     Two groups stood in line by the gray Houses of Excretion.  One group waited to make their deposit, the other to receive their portion of fresh while you wait viands, and all could hear the sound of machinery grinding and whirring away in the processing of viands.
     In gray, out gray, the sky gray, the ground.  Everything was gray.  He, nearly six feet, taller than most, often wondered if anything existed except gray.  He wanted to believe something did, but, from birth, all he had known were changing one gray suit for another as he grew.
     He decided to jump once more, would give this leap all he had.  So he gathered his legs, waited for the others to move away slightly—which sometimes happened—then squatted low, stretched his arms behind, took a deep breath, and leaped, up.  Up.  UP!
     And for just one second he thought he saw something, far away.  Something brighter, and another color, something like that bright ball that occasionally appeared in the sky among gray clouds.  He decided to try leaping once more, even though he had about used all his energy.
     So up he went.  But not far.  He had weakened.
     When he came down he struck another body, so close were they jammed.  Both fell down.
     "Why do you not watch what you are doing?" the other shouted at him as they scrambled up.  But the voice was different, higher, reminding him of his mother not seen since weaning.  Remembering his mother, and that other place with other mothers and the smaller others like himself, he thought of the one time he had seen a fence, the only structure in their world except for the Houses of Excretion.
     "I am sorry," He said.
     The other brushed itself off and faced him.  Some light colored hairs had escaped the hood, which were quickly tucked back in, but yes, this other was different.  The face was smoother, and the body appeared to be more slender except for two bumps just below the neck, and other unusual features, features he remembered, barely, his mother having.
     "Why do you stare at me?" the other asked.
     He did not know why, "I do not know," but he did know he enjoyed what he saw.  He had felt so little joy in life that he had only dubious understanding of what joy was, "You look funny…I mean different, you look different."
     "Of course I am different."  The facial features changed.  The eyes softened, the mouth widened, the cheeks took on a rosy glow, "Have you never seen a she?"
     "She is mine!"  A voice, loud, what He was more accustomed to hearing, interrupted them as a third other, elbowing, pushing, arrived, carrying two of the viands masses.
     She?  He had heard of the shes, that they were very much different, but he had never seen one.  Only hearsay, for the sexes were kept separate, allowed together only for breeding purposes, strictly decided and controlled by the sachems, also dressed in gray except in robes with black belts rather than body suits, and generally taller, taller than He even, and all carried a staff.
     The third other grabbed the she by the arm, then jerked her into the masses.  But, remembering his good feelings of joy, He decided he could not let that happen.  He wanted to keep staring at the she, so followed, doing his own elbowing and pushing, and soon caught the two, and grabbed the she by the other arm.
     "Stop!" He said.
     Both stopped, and gawked at him.  Many of the others stopped their eating and standing, and also gawked.
     Facial features of the she changed again, changed to warm, and radiant.  And again He felt joy, greater joy and happiness than he had ever known, "If you will come with me," He said, "I will take you away from here, and protect you forever, and keep you warm."  He had no idea how to do what he had just said, but it had sounded like all the right things to say.  Long ago he had decided there had to be
something different, somewhere.  Had he not just seen that faraway, unexplained brightness?  Suddenly he clung strongly to believing it truly existed, and was better.
     The she shook off the other's apparently illegal grasp, "Then I will go with you."  The she's facial features changed still more, became still more wonderful.  He felt his own features changing.  They felt wonderful too, very wonderful.
     "I am called He," he said when they were alone as possible.
     "I am She."
     "No, that is what you are.  What do the others call you?"
     "I am called She.  All of us are."
     "But you are different from the others."
     "No, I am the same.  But I am glad you think I am different.  I think you are different, too."
     "Come," He said, "We will leave here."  It was then or never.  He was positive of somewhere else existing, and the appearance of She made him want to find it more than ever.

****

Their first day passed.  Then their second.  Then a week, and a month.  He and She pressed on through the endless masses of others in gray suits.  They stood in line at the Houses of Excretion, made their deposits, ate their viands, dodged the sachems, and hoped the others would not tell of their illegal act of being together.  And it occurred to them that few others even noticed, so impassive were they.
     Finally one day conditions began to change.  The others were no longer just standing, eating, existing.  Many had actual expressions, twisted and ugly and showing anger, and fear, and anxiety, all expressions causing He and She to feel the opposite of joy.  And none of the others were talking.  Sounds now were of agony, mourning, and the further He and She walked the worse conditions became, until the others were fighting and shoving, trying to go in the opposite direction.
     The direction He and She had just come from.
     But they pushed on, holding onto each other, pushing and shoving themselves.  "We must be getting close to somewhere else," He said, "I have always believed it existed."
     "So have I," answered She, "But I have talked to no other who has ever seen it."
     At last they broke free from the hordes of others and stood alone in an open space for the first time.  But close ahead, what the others evidently had been trying to escape, roared a wall of that different color He had seen in the distance so long ago.  The bright wall stretched in both directions as far as they could see.
     "Do not go into it," said an other nearest them, "I have heard some have, and have never come back."
     He waved to the other, then turned to She, who gave him the warmest change of facial expression he had ever seen.  It made him feel so very, very, very, wonderful.
     "Maybe," said She, "The reason the others never come back is because it is better there."
     "Yes."  He agreed and again faced that bright wall of whatever it was.  It was radiating heat like that great ball in the sky, producing wonderful feelings in both He and She.
     "Maybe we should remove our suits first," said She.
     He did not know why they should, but also did not know why they should not.  So they did.  Soon both stood nude, facing each other and experiencing primeval thoughts as to why they were so different.  But they were at last alone, but still hearing the sounds from the masses of others.  But so good to be alone together, seeing each other without those ugly suits, and learning about their new feelings, and wondering what else they would discover about being alone together.
     "You two!  Put on your suits!  You are illegal!"
     They turned quickly toward the others.  Outside the masses stood a sachem.
     "He, I do not want to,” said She, “We cannot go back."
     "And we will not."  He grabbed She's hand, "Come, we will run into that heat, and die if we have to."
     They turned toward the wall of bright color, held each other's hand tight, and ran.  The sounds of agony and mourning rose behind them, and the sound of the sachem shouting at them.  But they paid none of it heed and ran faster, faster, getting closer to the heat becoming hotter, until it felt unbearably hot, but they would not stop.
     "Faster!" He shouted, and pulled She along faster.
     Together they leaped toward that bright wall of whatever it was, and into it.

****

Together they landed and rolled on the other side.  Still hand in hand they leaped up and looked at their new world, and walked partway into it.  There were no others.  None.  For the first time in their lives they stood completely alone, and saw their world unbounded and beautiful, with that great ball above shining in a bright and cloudless sky.  They saw many, many, things they could not give names, and other living beings that walked on four legs instead of two.
     "What is this place?" She asked.
     "I do not know, but I like it."  He gripped She's hand and turned them around to again face the bright wall, "Come, let us go back and tell the others they do not have to worry about the heat, that there is a wonderful world on this side."
     The two hurried away, and would have returned to that other world of grayness.
     But a much different sachem appeared in their path and held up a hand.  This one was dressed in a robe the color of the sky, "Stop.  You cannot go back."
     "Look, He," She said, "It is a she dressed as a sachem."
     "Yes, He and She, I am different from what you have known, and your selfless act of returning to that wretched other world is why I stopped you.  The he sachems control the masses, and the she sachems help to guide life on this side of the flames.  Only the others with the courage to strive for something new and better are allowed to leave there, and to stay here.  Only those who dare face the
flames.  And it would be pointless to go back."
     "Why?" He and She asked in unison.
     "Because few would believe you.  Impossible to find those who would."  The sachem in the sky-colored robe scrutinized them calmly, then raised her staff, nodding toward their new home, "Now go.  Go out into the forests and meadows.  Clothe yourselves and give yourselves new names.  Find the others who have gone before you.  They are few but they will help you learn about your new life here."
     "But what will we eat?" She asked, "Where are the Houses of Excretion?"
     "The Houses of Excretion are humankind's ultimate consequence for overpopulating and fowling its nest," the sachem said, "Long ago, He, your kind was called man, and your kind, She, was woman.  But men and women became vain, thinking of each self as the ultimate glory, caring not that their resources were finite, that their wastes were poisoning their very existence.
     "Life here would have ended had we sachems not taken control, and herded all humankind into the enclosure of flames, with the fences around women and another for women with young.  One day soon, when enough others have braved the flames and escaped…," the sachem hesitated briefly, her face sobered, "Then we will allow the flames to sweep inward.
     "So, in this world you bury your excretions and find different food.  Viands are a thing of the past."
     He faced She.  The exact meaning of what the sachem had said escaped him, "Come, She.  Let us discover this new place of beauty and brightness."  They turned, began walking away.
     "Now that you are man and woman again," the sachem called after them, "There are three rules.  Use only what you need.  Treat others with respect and dignity.  And reproduce yourselves with only one young."
     They stopped, again and faced the sachem, "Reproduce ourselves…?" asked She.
     The sachem smiled, "You will discover what I mean."

The future? Yes, if we don't change our ways.
--0--

FOOD PROJECT (1400 words) Alex, slaughterhouse employee, watches the killing of Torbo, a prize-winning Holstein steer, which wasn’t supposed to even be there.



      The back door began opening.  Daylight appeared, brighter than the small circles of light surrounding Torbo and his Hereford companions.  Maybe daylight meant freedom.  Torbo pushed forward.  His body was lighter-built than most of the others, but bulky enough to hold its own.  A man appeared in the daylight holding a long pointed object.  Torbo had seen the object at the beginning of the trip, when he had been jostled onto the corral that moved.  He knew the object stung like the bite of a fly only harder.
      But it did not frighten him.

****

Alex had watched the trucks arriving and held his prod ready.  He didn't use it often, but sometimes, to speed a critter on its way, to prevent mayhem, yes, he would use it.  From beside the truck a young boy about twelve appeared with a dog, "Hi-yah!" The boy yelled. The dog barked.
      A panting Hereford steer went down.
      "Hi-yah! Hi-yah!"
      With the relentless yelling and barking some of the critters stampeded, some leaping the fallen Hereford, others trampling.

****

Torbo moved with the crush of bodies toward the door.  Daylight streamed onto sweating red backs, and Torbo's black-and-white one. When Torbo reached the fallen Hereford he stopped, sniffed, then carefully stepped to miss it.
      They filed down a steep ramp onto concrete into a small pen, then through a gate, then another and another, until they were allowed to move about almost freely. The fallen Hereford finally got up and joined them. The last gate clanged shut.
        Torbo's world had been reduced to steel and concrete, but at least outside in the sunshine.  But where was his own corral?  Where was his dry, personal pen where he rolled in dust baths?  Where was his green pasture with lush grasses?  Most of all, where was the young woman who rubbed his nose, scratched behind his ears and massaged his great back?
      If Torbo could have thought he would have wondered these things.  But he couldn't think.  He couldn't speak.  He couldn't feel on exactly the same terms as humans.  But he did sense that something was very, very, different, in his world.

****

His shift was about over but Alex had never watched the actual processing.  It was time.  He worked there.  He needed to see what happened inside.  He deserved to see what had to happen in order for people to have food.  Besides, one particular critter had caught his eye.  That Holstein steer, a tall, beautiful animal, the one that had stepped carefully over the fallen Hereford.

****

As the morning progressed, more and more of the others who had arrived with Torbo had left.  Then gates and partitions of fences had been moved to make their pen smaller, never giving them more room.  Torbo and his seven remaining Hereford companions were still almost body on body in the steel and concrete pen.  No room to lie down.  No water, no food.  No communication except for an occasional bellow from somewhere.
       Those in Torbo's pen were silent, just standing, looking at whatever movement caught their attention or passed their field of vision.  Not much.  An occasional car on the adjacent street.   An occasional human passing their pen.
       None spoke with soothing voices.  No comforting hands.  Most did not even look at Torbo and his companions.  Where was the young woman who had been with Torbo since birth?  Where was her voice?  Her hands?  Her loving arms?
        Where was Torbo's world?
        Shift change came.  Men began arriving, many of them.  And some women.  Torbo sensed some were women because they smelled different.  His nose searched for his young mistress.  But her scent was not among them.
         A man appeared at their pen with the pointed object.  Torbo did not fear it.  The gate clanged open.  Torbo's companions began to push.  Torbo pushed back.  They became a crush again, and moved from their outside pen into another pen in a building.  More steel and concrete.  Then they reached a very narrow pen which soon became just one body wide.
      The men began shouting and jabbing their stinging sticks.  From ahead of Torbo came the sound of a thud.  He had never heard such a sound.  He lifted his head above the rump of the body ahead of him.  He saw nothing but men and darkness.
      The sound came again.  It meant nothing to Torbo, yet it began to affect the chemicals in his brain, the senses in his being.  He saw one of his companions ahead of him disappear through a very small lighted doorway.  Then came that sound of thud again.
       Had a bound and blindfolded human in such a situation begun to hear an unusual sound, the human would have begun to feel fear, and then, as the human ahead of that human moved ahead and the sound came closer and closer and again and again, that human would soon have known irrationalizing, terrifying, fear.
      The body just ahead of Torbo went through the narrow opening. Torbo went through too, at least his head did, and he saw a man ahead with a different object, different from the stinging stick, yet Torbo could tell no difference because he had no intelligence.  None, at least, that humans could understand.
      The man placed the object behind the ear of Torbo's last companion.  Came the thud sound. Torbo's companion went down.  All four of its legs had buckled.  Then Torbo's companion moved forward again, but no longer by its own power.
        Torbo was next.
        Deep in Torbo's brain fear was building.  From behind came the sting of the stick.  It didn't hurt that much.  Torbo did not fear it.  But he moved ahead anyway—where was his mistress?  That soothing voice?

****

Alex watched the Holstein step onto the killing slab.  Its lustrous black-and-white pelt appeared to have been currycombed daily.  He pictured the handsome animal as a young girl's 4H project.  But the blue ribbon winners did not come here, at least not early in life, at least he hoped not.
        The man with the stun gun positioned himself.  Another with a large knife approached. The Holstein lifted its head.  Alex wished the Holstein would fight.  But he knew no matter how hard it might fight it was going to die.  That's what the critter had come here for.  To die.

****

Torbo saw bright lights.  He held his head high as he could and looked all around at the many humans.  The different object touched Torbo behind the ear.  Torbo finally knew fear.  His brain flashed the message to run.  He tried.  The thud sound came, but Torbo did not hear it.
       No more visions came of the comforting hands, the soothing voice, the loving arms, for Torbo was no more.

****

Alex kept watching.  He had to watch.  Just once.
        The Holstein's legs buckled under it.  Its body hit the cold concrete.  It moved ahead but not of its own power.  The feet and lower legs left the body.  The head left.  Hooks grappled the body onto its back.  A knife cut it.  More hooks removed the shining black-and-white hide in one swipe.
       A great knife then cut the carcass into two pieces, then four.  Smaller knives cut it into more and more pieces until they became sirloin for the rich, hamburger for the poor, bones for meal, hide for shoes, guts for fertilizer.
        Alex could watch no longer.  The beautiful Holstein steer had been reduced to so many pieces, so quickly, that nothing was left to watch.  From birth to death the animal had been nothing but a project, a food project.  He left the kill floor, now only wanting to go home, away from this.
        He reached his car.  On the adjacent street appeared a speeding pickup.  His hand on the door handle, Alex hesitated.  The pickup squealed onto the plant's parking lot, then speeded up and finally slid to a stop just outside the pens.
        A young woman, sixteen or seventeen, leaped out.  Her eyes wide she ran from one worker to another.  Alex heard just one word, "…Holstein…" and wished to hear no more.
--0--

Some years ago I worked at a processing plant as gate security. When it came close to my departure date I asked permission to watch the "kill" one time. Permission was denied. I suspect the reason was fear from plant officials I might have been a member of one of the animal-rights organizations with a hidden camera. I'm not a member.
I had made some friends of the workers, so I asked one to describe to me what happened. He did a good job, as "Food Project" was born.
But since working there I continue to think of those thousands of beef cattle that moved through those gates.

The Last Unemployed Man (2100) Futuristic
The Quiet Little Town (2000) Beautiful space
What Would be Heaven (2000) What is Heaven?
Dead Animal Farm (3300) Homeless people are disappearing
The Dreaming Glass (2400) What we all dream of
Viands (2000 words) The future, if we don’t change our ways
Requiem for Homogen (2900) Don’t look in the mirror
The Levigation of McLeod & McLeod (3100) Revenge on a workplace
Intermission Block (3000) Déjà vu
The Chair (2850) Workplace Heaven
Food Project (1400) The killing of Torbo
To the 19th Century (6300) A dangerous warp of time
The Commons (8000) A trip to the past


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